Facétier de M. Mayeux
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Open Access
Facétier de M. Mayeux
Mr. Mayeux's Facétier, from the periodical "La Caricature"
Artist: Victor Hippolyte Delaporte (1804 - ) Primary
Artist: Jean Ernest Aubert (active 1824 - 1906) Publisher
Artist: Pierre Langlumé (active 1790 - ) Lithographer
Date:
1831
19th century
Dimensions:
6.69 x 12.2 in. (17 x 31 cm)
Dimensions Extent:
image
Object Type:
Print
Creation Place:
Europe, France
Medium and Support:
Lithograph on paper
Credit Line:
Gift of James M. Reed, 2017.
Accession Number:
2017.35.464
This work is not currently on view
The captions beneath each scene in the top row, from left to right are:
1) "Avec un garde du Corps! vengeance bon dieu!" or "With a bodyguard! Good god revenge!"
2) "Femme sensible entends tu le ramage?" or "Sensitive woman do you hear the song?"
3) "Oh la belle enfant je veux lui apprendre un petit jeu." or "Oh beautiful child I want to teach her a little game."
4) "Assez! Assez! bon dieu! ...assez!" or "Enough! Enough! good god... enough!"
The captions beneath each scene in the bottom row, from left to right are:
1) "On nous dessine d'après la bosse. Enfoncons le passage véro dodat." or "We are drawn from the bump. Let's push throguh the vero dodat passage."
2) "a-t-on jamais fichie un canon se haut que ça!" or "Have we ever fired a cannon that is high!"
3) "On tire à hauteur de ceinture d'homme ça ne me regarde pas!" or "We pull at the height of a man's belt, that's none of my business!"
4) "Appellez votre bête ou je l'étouffe." or "Call your beast or I'll suffocate it."
The lithographers at identified at the lower left of the sheet, and the publisher at lower right.
1) "Avec un garde du Corps! vengeance bon dieu!" or "With a bodyguard! Good god revenge!"
2) "Femme sensible entends tu le ramage?" or "Sensitive woman do you hear the song?"
3) "Oh la belle enfant je veux lui apprendre un petit jeu." or "Oh beautiful child I want to teach her a little game."
4) "Assez! Assez! bon dieu! ...assez!" or "Enough! Enough! good god... enough!"
The captions beneath each scene in the bottom row, from left to right are:
1) "On nous dessine d'après la bosse. Enfoncons le passage véro dodat." or "We are drawn from the bump. Let's push throguh the vero dodat passage."
2) "a-t-on jamais fichie un canon se haut que ça!" or "Have we ever fired a cannon that is high!"
3) "On tire à hauteur de ceinture d'homme ça ne me regarde pas!" or "We pull at the height of a man's belt, that's none of my business!"
4) "Appellez votre bête ou je l'étouffe." or "Call your beast or I'll suffocate it."
The lithographers at identified at the lower left of the sheet, and the publisher at lower right.
Keywords
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prints
Pictorial works produced by transferring images by means of a matrix such as a plate, block, or screen, using any of various printing processes. When emphasizing the individual printed image, use "impressions." Avoid the controversial expression "original prints," except in reference to discussions of the expression's use. If prints are neither "reproductive prints" nor "popular prints," use the simple term "prints." With regard to photographs, prefer "photographic prints"; for types of reproductions of technical drawings and documents, see terms found under "reprographic copies."
Pictorial works produced by transferring images by means of a matrix such as a plate, block, or screen, using any of various printing processes. When emphasizing the individual printed image, use "impressions." Avoid the controversial expression "original prints," except in reference to discussions of the expression's use. If prints are neither "reproductive prints" nor "popular prints," use the simple term "prints." With regard to photographs, prefer "photographic prints"; for types of reproductions of technical drawings and documents, see terms found under "reprographic copies."
public domain
Land owned and controlled by the state or federal government. Also, the status of publications, products, and processes that are not protected under patent or copyright.
Land owned and controlled by the state or federal government. Also, the status of publications, products, and processes that are not protected under patent or copyright.
nineteenth century
Century in the proleptic Gregorian calendar including the years 1800 to 1899 (or 1801 to 1900).
Century in the proleptic Gregorian calendar including the years 1800 to 1899 (or 1801 to 1900).
Portfolio List
This object is a member of the following portfolios:
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