Chariot Race with Apobates
North Frieze, Block 24, Parthenon, Acropolis, Athens
Artist: Unknown Greek Artist Primary
Date:
442 BCE - 438 BCE
5th century BCE
Dimensions:
48 x 41.5 x 3 in. (121.92 x 105.41 x 7.62 cm)
Object Type:
Plaster Cast
Creation Place:
Europe, Greece
Medium and Support:
Plaster cast after Pentelic marble original
Credit Line:
Gift of the Metropolitan Museum of Art, 2004
Accession Number:
2019.04.13
On View:
Bellarmine Hall Galleries
This part of the Parthenon frieze depicts an apobatês ('dismounter'), a fully armed warrior who rode on a chariot, standing beside the charioteer, and leaped off and on, according to the exigencies of the fight, while the chariot was in motion.
This cast was taken from a marble original now located in the British Museum in London .
This cast was taken from a marble original now located in the British Museum in London .
Bibliography
Catalogue of the Collection of Casts. New York: Metropolitan Museum of Art, 1910, 68 #530
Keywords
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Athenian Acropolis
An ancient citadel located in the city of Athens containing the remains of several ancient buildings including the Parthenon, the Propylaea, the Erechtheion, and the Temple of Athena Nike.
An ancient citadel located in the city of Athens containing the remains of several ancient buildings including the Parthenon, the Propylaea, the Erechtheion, and the Temple of Athena Nike.
Pentelic marble
A famous Greek marble quarried at Mount Pentelikon near Athens. It is pure white but may turn yellow after long exposure to air; a few miniscule veins of talc sometimes cause a faint greenish tint. It was used in antiquity as early as the 6th century BCE and continued to be popular for both sculpture and architecture; both the sculptural decoration and the architectural members of the Parthenon are made of Pentelic marble.
A famous Greek marble quarried at Mount Pentelikon near Athens. It is pure white but may turn yellow after long exposure to air; a few miniscule veins of talc sometimes cause a faint greenish tint. It was used in antiquity as early as the 6th century BCE and continued to be popular for both sculpture and architecture; both the sculptural decoration and the architectural members of the Parthenon are made of Pentelic marble.
High Classical
Refers to the middle phase of the Greek Classical period and style, from around 450 BCE to around 400 BCE. In sculpture it is characterized by the complete mastery of the ideal human form, represented in balanced, subtle movement and with drapery that clings to the body to reveal the form beneath. In vase painting, it is characterized by an increased refinement and variety of human forms and facial expressions. In architecture it is characterized by a lightening of proportions and a refinement of earlier established orders.
Refers to the middle phase of the Greek Classical period and style, from around 450 BCE to around 400 BCE. In sculpture it is characterized by the complete mastery of the ideal human form, represented in balanced, subtle movement and with drapery that clings to the body to reveal the form beneath. In vase painting, it is characterized by an increased refinement and variety of human forms and facial expressions. In architecture it is characterized by a lightening of proportions and a refinement of earlier established orders.
public domain
Land owned and controlled by the state or federal government. Also, the status of publications, products, and processes that are not protected under patent or copyright.
Land owned and controlled by the state or federal government. Also, the status of publications, products, and processes that are not protected under patent or copyright.
acropolises
The higher and usually fortified sections of ancient Greek cities, typically containing temples and some public buildings and used as places of refuge.
The higher and usually fortified sections of ancient Greek cities, typically containing temples and some public buildings and used as places of refuge.
Ancient Greek
Refers to the culture and styles of ancient Greece, generally excluding modern and prehistoric periods, but including periods between around 900 BCE to around 31 BCE. For the culture of Greece in general, including modern Greece, see "Greek."
Refers to the culture and styles of ancient Greece, generally excluding modern and prehistoric periods, but including periods between around 900 BCE to around 31 BCE. For the culture of Greece in general, including modern Greece, see "Greek."
Parthenon
An ancient temple on the Athenian Acropolis dedicated to the goddess Athena Parthenos during the 5th century BCE. The structure was built to commemorate the Greek victory over the Persians and also served as the city's treasury.
An ancient temple on the Athenian Acropolis dedicated to the goddess Athena Parthenos during the 5th century BCE. The structure was built to commemorate the Greek victory over the Persians and also served as the city's treasury.
chariots
Ancient Mesopotamian, Egyptian, Greek, and Roman animal-drawn, wheeled vehicles with a wide range of uses and forms, usually driven from the standing position and most often with two wheels; probably developed in Mesopotamia around the early 3rd millenium and could be pulled by up to ten animals.
Ancient Mesopotamian, Egyptian, Greek, and Roman animal-drawn, wheeled vehicles with a wide range of uses and forms, usually driven from the standing position and most often with two wheels; probably developed in Mesopotamia around the early 3rd millenium and could be pulled by up to ten animals.
friezes
Extended horizontal bands decorating architecture, furniture, or other objects and containing figures, scenes, inscriptions, or ornamental motifs. For the specific parts of classical entablatures, see "friezes (entablature components)."
Extended horizontal bands decorating architecture, furniture, or other objects and containing figures, scenes, inscriptions, or ornamental motifs. For the specific parts of classical entablatures, see "friezes (entablature components)."
sculpture
Three-dimensional works of art in which images and forms are produced in relief, in intaglio, or in the round. The term refers particularly to art works created by carving or engraving a hard material, by molding or casting a malleable material (which usually then hardens), or by assembling parts to create a three-dimensional object. It is typically used to refer to large or medium-sized objects made of stone, wood, bronze, or another metal. Small objects are typically referred to as "carvings" or another appropriate term. "Sculpture" refers to works that represent tangible beings, objects, or groups of objects, or are abstract works that have defined edges and boundaries and can be measured. As three-dimensional works become more diffused in space or time, or less tangible, use appropriate specific terms, such as "mail art" or "environmental art."
Three-dimensional works of art in which images and forms are produced in relief, in intaglio, or in the round. The term refers particularly to art works created by carving or engraving a hard material, by molding or casting a malleable material (which usually then hardens), or by assembling parts to create a three-dimensional object. It is typically used to refer to large or medium-sized objects made of stone, wood, bronze, or another metal. Small objects are typically referred to as "carvings" or another appropriate term. "Sculpture" refers to works that represent tangible beings, objects, or groups of objects, or are abstract works that have defined edges and boundaries and can be measured. As three-dimensional works become more diffused in space or time, or less tangible, use appropriate specific terms, such as "mail art" or "environmental art."
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