FILTER RESULTS × Close
Skip to Content ☰ Open Filter >>

Photographs

Showing 221 of 312




This image may be copyright protected.

The Parthenon. Detail of the south colonnade

Artist: Socratis Mavrommatis (active 1949 - ) Primary
Date: 2002
21st Century
Dimensions: 17 x 22 in. (43.18 x 55.88 cm)
Dimensions Extent: paper size
Object Type: Photograph
Creation Place: Europe, Greece
Medium and Support: Digital print on Hahnemule/Photo Rag 308 gsm paper
Credit Line: Gift of the artist, 2008
Accession Number: 2010.01.03
This work is not currently on view




Exhibitions

Fairfield University Art Museum, Fairfield, Connecticut, Gifts from Athens: New Plaster Casts from the Acropolis Museum and Photographs by Socratis Mavrommatis, November 2- December 17, 2021



Keywords

Click a term to view other artwork with the same keyword

Contemporary
Period and styles of painting, sculpture, graphic arts, and architecture dating from the recent past and present. It differs from modern art in that the term 'Contemporary art' does not carry the implication of a non-traditional style, but instead refers only to the time period in which the work was created. 'Modern' and 'Contemporary' are inherently fluid terms. The term 'Contemporary' is sometimes more narrowly used to refer to art from ca. 1960 or 1970 up to the present. To refer to the current time period without reference to style of art, use "contemporary (generic time frame)".
photographs
Refers to still images produced from radiation-sensitive materials (sensitive to light, electron beams, or nuclear radiation), generally by means of the chemical action of light on a sensitive film, paper, glass, or metal. Photographs may be positive or negative, opaque or transparent. The concept does not include reproductive prints of documents and technical drawings, for which descriptors found under "" are more appropriate. The concept may include photographs made by digital means.
digital prints
Broadly describes physical manifestations made from digital image files that are achieved by the application or generation of colorant to a substrate, and that are not struck directly from a material master matrix. This is in contrast to traditional prints struck from matrices such as printing plates, blocks, negatives or transparencies, though these may be the primary origin of imagery. Digital prints have as their immediate source electronic signals that drive any of a variety of printing mechanisms.

Portfolio List

This object is a member of the following portfolios:


Does this record contain inaccurate information or language that you feel we should improve? Please contact the museum registrar at mpaqua@fairfield.edu.