FILTER RESULTS × Close
Skip to Content ☰ Open Filter >>

James Daugherty

Showing 11 of 13




Open Access

Satan Tempting Christ

Artist: James Daugherty (Asheville, North Carolina, 1887 – 1974, Weston, Connecticut) Primary
Date: ca. 1919-1920
20th century
Dimensions: 60 x 40 in. (152.4 x 101.6 cm)
Dimensions Extent: sight
Object Type: Painting
Creation Place: North America, United States
Medium and Support: Oil on raw linen
Credit Line: Gift of the Friends of James Daugherty Foundation, Inc., 2021.
Accession Number: 2021.20.02
This work is not currently on view


A pair with 2021.20.01, Satan Tempting Christ is based on Matthew 4:1-11, Mark 1:12-13, and Luke 4:1-13 in which Christ, fasting for 40 days in the wilderness is tempted three times by Satan. Satan is on the right, faceless and inhuman. The three diminutive puppet-like figures at the top left represent the three temptations with which Satan enticed Christ.

This painting, along with 2021.20.01 were created just after the end of World War I, when Daugherty became deeply interested in portraying biblical subjects.




Keywords

Click a term to view other artwork with the same keyword

Synchromist
Art movement lead by American painters Morgan Russell and Stanton Macdonald-Wright in the early 20th century. The style is distinguished for its focus on abstract, rhythmic color arrangements and submerged forms.
Bibles
Refers to books, scrolls, rolls, or other document forms containing the sacred scriptures of Judaism or Christianity. Bibles may also contain illuminations, which are painted scenes or decorations. The Bible is composed of two parts: The Hebrew scriptures or Old Testament, written originally in Hebrew (with some parts in Aramaic) and including the writings of the Jewish people, and the New Testament, composed in Greek and recording the story of Jesus and the beginnings of Christianity. The Roman Catholic and Eastern Orthodox versions of the Old Testament are somewhat larger than the Protestant Bible because they accept certain books and parts of books considered apocryphal by Protestants. The Jewish Bible includes only the books known to Christians as the Old Testament. The arrangements of the Jewish and Christian canons differ considerably. Traditionally the Jews have divided their scriptures (the Old Testament) into three parts: The Torah (the "Law"), or Pentateuch; the Nevi'im (the "Prophets"); and the Ketuvim (the "Writings"), or Hagiographa. The stories, moral teachings, and theological doctrines in the bible have provided subjects for an immense body of visual art in both Christian and Jewish imagery. For Christians, a canon of biblical books was established in the Early Christian period; however, several apocryphal books continued to circulate long afterwards. Beginning in the late medieval period, poetic and dramatic interpretations of biblical narratives were very popular, providing ample extra-canonical literature that contributed to the development of important subjects in Christian art.
paintings
Unique works in which images are formed primarily by the direct application of pigments suspended in oil, water, egg yolk, molten wax, or other liquid, arranged in masses of color, onto a generally two-dimensional surface.
biblical
Of, relating to, or contained in the Bible, which contains the sacred scriptures of Judaism or Christianity.
Bible stories
Stories paraphrasing Biblical texts or closely based on Biblical events.
public domain
Land owned and controlled by the state or federal government. Also, the status of publications, products, and processes that are not protected under patent or copyright.
Christianity
Refers to the world religion and culture that developed in the first century CE, driven by the teachings of Jesus Christ of Nazareth. Its roots are in the Judaic tradition and the Old Testament. The tenets include a belief in the death and redemptive resurrection of Jesus. The religion incorporates a tradition of faith, ritual, and a form of church authority or leadership.

Additional Images

Click an image to view a larger version

Portfolio List

This object is a member of the following portfolios:


Does this record contain inaccurate information or language that you feel we should improve? Please contact the museum registrar at mpaqua@fairfield.edu.