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Cardinal, After Cattelan

Artist: Emily Eveleth (1960 – )
Date: 2020
21st century
Dimensions: 21 x 25 in. (53.34 x 63.5 cm)
Dimensions Extent: framed
Object Type: Painting
Creation Place: North America, United States
Medium and Support: Oil on mylar
Credit Line: Gift of Emily Eveleth, 2021.
Accession Number: 2021.09.01
This work is not currently on view


Emily Eveleth was thinking of inversion when she painted this work for the Fairfield University Art Museum exhibition Birds of the Northeast: Gulls to Great Auks. She wondered if there could be an image of a cardinal that might evoke humor and pathos, slapstick and vulnerability. An inversion of Maurizio Cattelan's well-known irreverent piece, La Nona Ora , stripped of its pretentions, but still sharing the characteristic of the comedy's foundation in the violent, the concerete, and the finite. The painting is a shift from the exalted and the expansive to the specific.




Keywords

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paintings
Unique works in which images are formed primarily by the direct application of pigments suspended in oil, water, egg yolk, molten wax, or other liquid, arranged in masses of color, onto a generally two-dimensional surface.
abstract
Genre of visual arts in which figurative subjects or other forms are simplified or changed in their representation so that they do not portray a recognizable person, object, thing, etc.; may reference an idea, quality, or state rather than a concrete object. For the process of formulating general concepts by abstracting common properties of instances, prefer "abstraction." For 20th-century art styles that were a reaction against the traditional European conception of art as the imitation of nature, use "Abstract (fine arts style)."

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