by Object Type (2)
Open Access
Fariboles
Fables, from the periodical "Le Charivari"
Artist: Paul Gavarni (1804 - 1866) Primary
Artist: François Nicolas Martinet (1739 - after 1796) Publisher
Artist: Destouches Printer
Date:
1854
19th century
Dimensions:
7.87 x 6.5 in. (20 x 16.5 cm)
Dimensions Extent:
image
Object Type:
Print
Creation Place:
Europe, France
Medium and Support:
Lithograph on paper
Credit Line:
Gift of James Reed, 2017
Accession Number:
2017.35.204
This work is not currently on view
Beneath the image, the printer is identified at lower left ("Lith[ographie] Destouches, 28, rue Paradis Pre-Paris") and the publisher at lower right ("Maison Martinet, 41, r[ue] Vivienne et 11 rue du Coq").
The French text reads:
– Elle dort!...la voici qui parle dans son rêve......écoutons !....
–Alfred...jamais je n'oserai te dire.....que j'ai absolument besoin demain d'un billet de Cinq Cents francs !.....
– Diable, elle a le sommeil terriblement lourd pour moi.....n'attendons pas qu'elle s'éveille.....filons!...
or:
– She's sleeping!...She is speaking in her sleep......listen!....
– Alfred..I wouldn't dare to tell you......that I absolutely need to ask you for five hundred francs !...
– Hell, she is sleeping too soundly for me ....we mustn't wait to wake her up .... get up!
(translated by Willoughby Thom, intern, summer 2022)
The French text reads:
– Elle dort!...la voici qui parle dans son rêve......écoutons !....
–Alfred...jamais je n'oserai te dire.....que j'ai absolument besoin demain d'un billet de Cinq Cents francs !.....
– Diable, elle a le sommeil terriblement lourd pour moi.....n'attendons pas qu'elle s'éveille.....filons!...
or:
– She's sleeping!...She is speaking in her sleep......listen!....
– Alfred..I wouldn't dare to tell you......that I absolutely need to ask you for five hundred francs !...
– Hell, she is sleeping too soundly for me ....we mustn't wait to wake her up .... get up!
(translated by Willoughby Thom, intern, summer 2022)
Keywords
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prints
Pictorial works produced by transferring images by means of a matrix such as a plate, block, or screen, using any of various printing processes. When emphasizing the individual printed image, use "impressions." Avoid the controversial expression "original prints," except in reference to discussions of the expression's use. If prints are neither "reproductive prints" nor "popular prints," use the simple term "prints." With regard to photographs, prefer "photographic prints"; for types of reproductions of technical drawings and documents, see terms found under "reprographic copies."
Pictorial works produced by transferring images by means of a matrix such as a plate, block, or screen, using any of various printing processes. When emphasizing the individual printed image, use "impressions." Avoid the controversial expression "original prints," except in reference to discussions of the expression's use. If prints are neither "reproductive prints" nor "popular prints," use the simple term "prints." With regard to photographs, prefer "photographic prints"; for types of reproductions of technical drawings and documents, see terms found under "reprographic copies."
public domain
Land owned and controlled by the state or federal government. Also, the status of publications, products, and processes that are not protected under patent or copyright.
Land owned and controlled by the state or federal government. Also, the status of publications, products, and processes that are not protected under patent or copyright.
Portfolio List
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