Prints
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Open Access
View of a Church
Vue de l'Église
Artist: Emile van Marcke (1827 - 1890)
Artist: Francis Bedford (1816 – 1894) Printer
Date:
ca. 1846
19th century
Dimensions:
18.31 x 7.87 in. (46.5 x 20 cm)
Dimensions Extent:
image
Object Type:
Print
Creation Place:
Europe, England
Medium and Support:
Engraving on paper
Credit Line:
Gift of James M. Reed, 2017.
Accession Number:
2017.35.760
This work is not currently on view
From the volume Divers Works of Early Masters in Christian Decoration (London, 1846). Beneath the image, the artist is identified at left (Emile van Marcke del[ineavi]t) and the printer at right.
Keywords
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engraving
The intaglio process in which the design is incised into a printing plate, usually a flat copper plate, with the aid of a graver or burin that is held in the palm of the hand and pushed against the copper to cut lines comprising V-shaped grooves. The plate is then inked up, wiped so that ink is retained in the grooves and then forced out under the pressure of the printing process to create lines on the paper. The technique was first developed in the early 15th century in Germany, probably by goldsmiths who wished to keep records of the designs they had engraved on their wares. The process is distinct from "wood engraving (process)," which is a process for relief printing; "wood cut (process)" refers to engraving wood blocks for printing. Historically, "engraving" has sometimes been used incorrectly to refer to all printmaking processes, particulalry any process employing printing plates. For the single step of incising an inscription or design into any surface, not only a printing plate, see "engraving (incising)."
The intaglio process in which the design is incised into a printing plate, usually a flat copper plate, with the aid of a graver or burin that is held in the palm of the hand and pushed against the copper to cut lines comprising V-shaped grooves. The plate is then inked up, wiped so that ink is retained in the grooves and then forced out under the pressure of the printing process to create lines on the paper. The technique was first developed in the early 15th century in Germany, probably by goldsmiths who wished to keep records of the designs they had engraved on their wares. The process is distinct from "wood engraving (process)," which is a process for relief printing; "wood cut (process)" refers to engraving wood blocks for printing. Historically, "engraving" has sometimes been used incorrectly to refer to all printmaking processes, particulalry any process employing printing plates. For the single step of incising an inscription or design into any surface, not only a printing plate, see "engraving (incising)."
prints
Pictorial works produced by transferring images by means of a matrix such as a plate, block, or screen, using any of various printing processes. When emphasizing the individual printed image, use "impressions." Avoid the controversial expression "original prints," except in reference to discussions of the expression's use. If prints are neither "reproductive prints" nor "popular prints," use the simple term "prints." With regard to photographs, prefer "photographic prints"; for types of reproductions of technical drawings and documents, see terms found under "reprographic copies."
Pictorial works produced by transferring images by means of a matrix such as a plate, block, or screen, using any of various printing processes. When emphasizing the individual printed image, use "impressions." Avoid the controversial expression "original prints," except in reference to discussions of the expression's use. If prints are neither "reproductive prints" nor "popular prints," use the simple term "prints." With regard to photographs, prefer "photographic prints"; for types of reproductions of technical drawings and documents, see terms found under "reprographic copies."
architecture
Structures or parts of structures that are the result of conscious construction, are of practical use, are relatively stable and permanent, and are of a size and scale appropriate for--but not limited to--habitable buildings. Works of architecture are manifestations of the built environment that is typically classified as fine art, meaning it is generally considered to have aesthetic value, was designed by an architect (whether or not his or her name is known), and constructed with skilled labor. For the art or science of designing and building structures, use "architecture (discipline)."
Structures or parts of structures that are the result of conscious construction, are of practical use, are relatively stable and permanent, and are of a size and scale appropriate for--but not limited to--habitable buildings. Works of architecture are manifestations of the built environment that is typically classified as fine art, meaning it is generally considered to have aesthetic value, was designed by an architect (whether or not his or her name is known), and constructed with skilled labor. For the art or science of designing and building structures, use "architecture (discipline)."
public domain
Land owned and controlled by the state or federal government. Also, the status of publications, products, and processes that are not protected under patent or copyright.
Land owned and controlled by the state or federal government. Also, the status of publications, products, and processes that are not protected under patent or copyright.
nineteenth century
Century in the proleptic Gregorian calendar including the years 1800 to 1899 (or 1801 to 1900).
Century in the proleptic Gregorian calendar including the years 1800 to 1899 (or 1801 to 1900).
Portfolio List
This object is a member of the following portfolios:
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