FILTER RESULTS × Close
Skip to Content ☰ Open Filter >>

The Netherlands

Showing 7 of 23




Open Access

Portrait of Adam van Noort

Artist: Anthony van Dyck (1599 - 1641) Primary
Date: ca. 1630-1640
17th century
Dimensions: 8.07 x 5.98 in. (20.5 x 15.2 cm)
Dimensions Extent: image
Object Type: Print
Creation Place: Europe, Netherlandish
Medium and Support: Engraving on paper
Credit Line: Gift of James M. Reed, 2017.
Accession Number: 2017.35.806
This work is not currently on view


Possibly from artist's original plate in Plantin Museum, Antwerp. Beneath the image, the Latin text reads: ADAMVS VAN NOORT ANTVERPIAE PICTOR ICONVM, or "Adam van Noort, Picture Painter of Antwerp." At bottom left, the text reads "Ant. van Dyck fecit aqua forti" or "Anthony van Dyck made the etching."




Keywords

Click a term to view other artwork with the same keyword

engraving
The intaglio process in which the design is incised into a printing plate, usually a flat copper plate, with the aid of a graver or burin that is held in the palm of the hand and pushed against the copper to cut lines comprising V-shaped grooves. The plate is then inked up, wiped so that ink is retained in the grooves and then forced out under the pressure of the printing process to create lines on the paper. The technique was first developed in the early 15th century in Germany, probably by goldsmiths who wished to keep records of the designs they had engraved on their wares. The process is distinct from "wood engraving (process)," which is a process for relief printing; "wood cut (process)" refers to engraving wood blocks for printing. Historically, "engraving" has sometimes been used incorrectly to refer to all printmaking processes, particulalry any process employing printing plates. For the single step of incising an inscription or design into any surface, not only a printing plate, see "engraving (incising)."
prints
Pictorial works produced by transferring images by means of a matrix such as a plate, block, or screen, using any of various printing processes. When emphasizing the individual printed image, use "impressions." Avoid the controversial expression "original prints," except in reference to discussions of the expression's use. If prints are neither "reproductive prints" nor "popular prints," use the simple term "prints." With regard to photographs, prefer "photographic prints"; for types of reproductions of technical drawings and documents, see terms found under "reprographic copies."
public domain
Land owned and controlled by the state or federal government. Also, the status of publications, products, and processes that are not protected under patent or copyright.
seventeenth century
Century in the proleptic Gregorian calendar including the years 1600 to 1699 (or 1601 to 1700).
portraits
Representations of real individuals that are intended to capture a known or supposed likeness, usually including the face of the person. For representations intended to be anonymous, or of fictional or mythological characters, see "figures (representations)."

Portfolio List

This object is a member of the following portfolios:


Does this record contain inaccurate information or language that you feel we should improve? Please contact the museum registrar at mpaqua@fairfield.edu.