Recent Acquisitions
| Showing 1 of 1 |
|
Why is this image so small? This image is protected by copyright; due to rights restrictions, it cannot be enlarged or viewed at full screen.
Saffron Uprising
Artist: Zwe Mon (1990 – )
Date:
2012
21st century
Dimensions:
48 x 36 in. (1219.2 x 914.4 mm)
Dimensions Extent:
overall
Object Type:
Painting
Creation Place:
Asia, Myanmar
Medium and Support:
Acrylic on canvas
Credit Line:
Gift of the Thukhuma Foundation, 2022.
Accession Number:
2022.23.01
This work is not currently on view
Provenance
Artist's collection; Private Collection; Thukhuma Collection; gift 2022 to the Fairfield University Art Museum
Keywords
Click a term to view other artwork with the same keyword
Contemporary
Period and styles of painting, sculpture, graphic arts, and architecture dating from the recent past and present. It differs from modern art in that the term 'Contemporary art' does not carry the implication of a non-traditional style, but instead refers only to the time period in which the work was created. 'Modern' and 'Contemporary' are inherently fluid terms. The term 'Contemporary' is sometimes more narrowly used to refer to art from ca. 1960 or 1970 up to the present. To refer to the current time period without reference to style of art, use "contemporary (generic time frame)".
Period and styles of painting, sculpture, graphic arts, and architecture dating from the recent past and present. It differs from modern art in that the term 'Contemporary art' does not carry the implication of a non-traditional style, but instead refers only to the time period in which the work was created. 'Modern' and 'Contemporary' are inherently fluid terms. The term 'Contemporary' is sometimes more narrowly used to refer to art from ca. 1960 or 1970 up to the present. To refer to the current time period without reference to style of art, use "contemporary (generic time frame)".
Buddhism
Refers to the philosophy and religion based on the enlightenment and teachings of the Buddha Gautama in the early sixth century BCE in the northeastern region of modern India. Playing dominant roles in the art and culture of Southeast Asia and East Asia, this religion is based on the transcendence of human suffering and pain through the acceptance of the limitations of individuality, the surrender of worldly desires and cravings that cause disappointment and sorrow, and the deliverance from the impermanence of living and individual ego based on wealth, social position, or family through the process of enlightenment (nirvana). The religion also centers around 'anatman', or no-self, the idea that the self is in a state of action or a series of changing manifestations rather than in a state of fixed, metaphysical substance. The structure of the religion is based on the Triratna ("Three Jewels" of Buddha), a tripartite schematic for living based on three elements: Buddha (the teacher), dharma (the teaching), and sangha (community).
Refers to the philosophy and religion based on the enlightenment and teachings of the Buddha Gautama in the early sixth century BCE in the northeastern region of modern India. Playing dominant roles in the art and culture of Southeast Asia and East Asia, this religion is based on the transcendence of human suffering and pain through the acceptance of the limitations of individuality, the surrender of worldly desires and cravings that cause disappointment and sorrow, and the deliverance from the impermanence of living and individual ego based on wealth, social position, or family through the process of enlightenment (nirvana). The religion also centers around 'anatman', or no-self, the idea that the self is in a state of action or a series of changing manifestations rather than in a state of fixed, metaphysical substance. The structure of the religion is based on the Triratna ("Three Jewels" of Buddha), a tripartite schematic for living based on three elements: Buddha (the teacher), dharma (the teaching), and sangha (community).
paintings
Unique works in which images are formed primarily by the direct application of pigments suspended in oil, water, egg yolk, molten wax, or other liquid, arranged in masses of color, onto a generally two-dimensional surface.
Unique works in which images are formed primarily by the direct application of pigments suspended in oil, water, egg yolk, molten wax, or other liquid, arranged in masses of color, onto a generally two-dimensional surface.
acrylic paint
Paint consisting of pigments or dyes bound in an emulsion of acrylic, which is a colorless, transparent, thermoplastic synthetic resin made by the polymerization of acrylic acid derivatives. Acrylic paint is water soluble while wet and fast drying, but once the paint has dried, it is flexible and resistant to water. Acrylic paint was first made commercially available in the 1950s.
Paint consisting of pigments or dyes bound in an emulsion of acrylic, which is a colorless, transparent, thermoplastic synthetic resin made by the polymerization of acrylic acid derivatives. Acrylic paint is water soluble while wet and fast drying, but once the paint has dried, it is flexible and resistant to water. Acrylic paint was first made commercially available in the 1950s.
Portfolio List
This object is a member of the following portfolios:
Does this record contain inaccurate information or language that you feel we should improve? Please contact the museum registrar at mpaqua@fairfield.edu.