by Artist (123)
Why is this image so small? This image is protected by copyright; due to rights restrictions, it cannot be enlarged or viewed at full screen.
Face Time
Artist: Anthony Titus (1975 – ) Primary
Date:
2011
21st century
Dimensions:
32 x 20 1/4 in. (812.8 x 514.35 mm)
Dimensions Extent:
overall
Object Type:
Painting
Creation Place:
North America, United States, New York
Medium and Support:
Latex on canvas
Credit Line:
Donated by Diane and Craig Solomon
Accession Number:
2022.05.01
This work is not currently on view
This early sculptural and architectonic painting presages the later work by Titus which crosses the boundaries between painting and architecture.
Provenance
Museum 52, London; Private Collection; 2022 gift to the Fairfield University Art Museum.
Keywords
Click a term to view other artwork with the same keyword
Contemporary
Period and styles of painting, sculpture, graphic arts, and architecture dating from the recent past and present. It differs from modern art in that the term 'Contemporary art' does not carry the implication of a non-traditional style, but instead refers only to the time period in which the work was created. 'Modern' and 'Contemporary' are inherently fluid terms. The term 'Contemporary' is sometimes more narrowly used to refer to art from ca. 1960 or 1970 up to the present. To refer to the current time period without reference to style of art, use "contemporary (generic time frame)".
Period and styles of painting, sculpture, graphic arts, and architecture dating from the recent past and present. It differs from modern art in that the term 'Contemporary art' does not carry the implication of a non-traditional style, but instead refers only to the time period in which the work was created. 'Modern' and 'Contemporary' are inherently fluid terms. The term 'Contemporary' is sometimes more narrowly used to refer to art from ca. 1960 or 1970 up to the present. To refer to the current time period without reference to style of art, use "contemporary (generic time frame)".
paintings
Unique works in which images are formed primarily by the direct application of pigments suspended in oil, water, egg yolk, molten wax, or other liquid, arranged in masses of color, onto a generally two-dimensional surface.
Unique works in which images are formed primarily by the direct application of pigments suspended in oil, water, egg yolk, molten wax, or other liquid, arranged in masses of color, onto a generally two-dimensional surface.
abstract
Genre of visual arts in which figurative subjects or other forms are simplified or changed in their representation so that they do not portray a recognizable person, object, thing, etc.; may reference an idea, quality, or state rather than a concrete object. For the process of formulating general concepts by abstracting common properties of instances, prefer "abstraction." For 20th-century art styles that were a reaction against the traditional European conception of art as the imitation of nature, use "Abstract (fine arts style)."
Genre of visual arts in which figurative subjects or other forms are simplified or changed in their representation so that they do not portray a recognizable person, object, thing, etc.; may reference an idea, quality, or state rather than a concrete object. For the process of formulating general concepts by abstracting common properties of instances, prefer "abstraction." For 20th-century art styles that were a reaction against the traditional European conception of art as the imitation of nature, use "Abstract (fine arts style)."
latex paint
Low sheen acrylic emulsion paint, has excellent resistance to weathering and good impact resistance.
Low sheen acrylic emulsion paint, has excellent resistance to weathering and good impact resistance.
Portfolio List
This object is a member of the following portfolios:
Does this record contain inaccurate information or language that you feel we should improve? Please contact the museum registrar at mpaqua@fairfield.edu.