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Look Down On War
Artist: Maya Freelon (1982 – ) Primary
Artist: Robert Franklin (aka "Bob") Printer
Artist: Brandywine Workshop and Archive Publisher
Date:
2009
21st century
Dimensions:
37 x 24 1/2 in. (939.8 x 622.3 mm)
Dimensions Extent:
sheet
Object Type:
Print
Creation Place:
North America, United States
Medium and Support:
Offset lithograph on tissue paper
Edition Size:
40
Credit Line:
Partial gift of the Brandywine Workshop and Archives and Museum Purchase with funds from the Black Art Fund, 2022.
Accession Number:
2022.17.15
On View:
Bellarmine Hall Galleries
"Maya Freelon’s grandfather Allan Freelon used art as therapy to recover from injury and traumatic stress during service in Europe during World War I. He later became the first Black art supervisor for the school district in his hometown of Philadelphia."
—From Brandywine Workshop and Archives records
To learn more about this work, see it on Artura.org , an open educational resource from the Brandywine Workshop and Archives.
—From Brandywine Workshop and Archives records
To learn more about this work, see it on Artura.org , an open educational resource from the Brandywine Workshop and Archives.
Exhibitions
Fairfield University Art Museum, Fairfield, Connecticut, In Their Element(s): Women Artists Across Media, April 21-July 15, 2023
Keywords
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Black Art Fund
FUAM's Black Art Fund is a fundraising initiative to support the acquisition of artwork by contemporary Black artists, to address a major gap in the museum’s permanent collection. The museum is accepts both financial contributions to this fund to be used for purchases of artwork as well as donations of museum quality artworks to achieve greater representation and recognition of non-white artists and artworks.
FUAM's Black Art Fund is a fundraising initiative to support the acquisition of artwork by contemporary Black artists, to address a major gap in the museum’s permanent collection. The museum is accepts both financial contributions to this fund to be used for purchases of artwork as well as donations of museum quality artworks to achieve greater representation and recognition of non-white artists and artworks.
Contemporary
Period and styles of painting, sculpture, graphic arts, and architecture dating from the recent past and present. It differs from modern art in that the term 'Contemporary art' does not carry the implication of a non-traditional style, but instead refers only to the time period in which the work was created. 'Modern' and 'Contemporary' are inherently fluid terms. The term 'Contemporary' is sometimes more narrowly used to refer to art from ca. 1960 or 1970 up to the present. To refer to the current time period without reference to style of art, use "contemporary (generic time frame)".
Period and styles of painting, sculpture, graphic arts, and architecture dating from the recent past and present. It differs from modern art in that the term 'Contemporary art' does not carry the implication of a non-traditional style, but instead refers only to the time period in which the work was created. 'Modern' and 'Contemporary' are inherently fluid terms. The term 'Contemporary' is sometimes more narrowly used to refer to art from ca. 1960 or 1970 up to the present. To refer to the current time period without reference to style of art, use "contemporary (generic time frame)".
prints
Pictorial works produced by transferring images by means of a matrix such as a plate, block, or screen, using any of various printing processes. When emphasizing the individual printed image, use "impressions." Avoid the controversial expression "original prints," except in reference to discussions of the expression's use. If prints are neither "reproductive prints" nor "popular prints," use the simple term "prints." With regard to photographs, prefer "photographic prints"; for types of reproductions of technical drawings and documents, see terms found under "reprographic copies."
Pictorial works produced by transferring images by means of a matrix such as a plate, block, or screen, using any of various printing processes. When emphasizing the individual printed image, use "impressions." Avoid the controversial expression "original prints," except in reference to discussions of the expression's use. If prints are neither "reproductive prints" nor "popular prints," use the simple term "prints." With regard to photographs, prefer "photographic prints"; for types of reproductions of technical drawings and documents, see terms found under "reprographic copies."
Portfolio List
This object is a member of the following portfolios:
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